Oliver Wang: Notes on Process [SPECIAL EDITION]
Oliver Wang: Notes on Process [SPECIAL EDITION]
I’m Todd L. Burns, and welcome to Music Journalism Insider, a newsletter about music journalism. I highlight some of the best stuff I hear, read, and watch every week; publish news about the industry; and interview writers, scholars, and editors about their work. My goal is to share knowledge, celebrate great work, and expand the idea of what music journalism is—and where it happens. Questions, comments, concerns? You can reach me anytime at music.journalism.insider@gmail.com. And if you're not already subscribed to the newsletter, you can do so at musicjournalisminsider.com.
Today in the newsletter: A new Notes On Process with Oliver Wang.
Oliver Wang: Notes on Process
Welcome to the latest edition of Notes On Process! The idea of this column is simple: I invite a writer to a Google Doc where I’ve copy-pasted one of their pieces and added a bunch of footnotes with flattery, jokes, and questions. They reply to my queries, and then we provide you with a link to the doc where all of our marginalia is visible. The goal is to provide a window into the writing and editing process, so that folks can see how great writers think about their work.
Oliver Wang is a professor of sociology at California State University, Long Beach, and the author of Legions of Boom: Filipino American Mobile DJ Crews of the San Francisco Bay Area. He is currently a project curator for the Japanese American National Museum, working on an exhibition about Japanese American car culture in Los Angeles. In the mid 2000s, he created the audioblog Soul-Sides.com, and he’s a regular writer on music, arts, and culture for countless outlets. He's also co-hosted the podcasts Pop Rocket and Heat Rocks and is currently developing another.
For this edition of Notes On Process, Oliver and I took a look at his 2008 essay "Boogaloo Nights." You can check it out here.
If you’ve missed out on previous editions of Notes On Process, they're all right here.
The Closing Credits
Thanks for reading! In case you’ve missed them, I’ve published a number of special features in the newsletter, including articles about music journalism history, what music journalism will be like in 2221, and much more. You can check out all of that here.
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A Final Note
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